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POETRY

by Lillian Nećakov -


I dreamt of Charles Olson standing by the clothesline

gargantuan, reciting the atlas, syllables fat with blood, cascading from his mouth

sheets flapping in the broken down geography; a call to peace


I dreamt of books and manuscripts scattered at the feet of my dying father

in a house where all doors were unhinged and no bible was ever welcome

even for its vowels which we could have used for kindling as winter descended


I dreamt of every poet whose heart was bigger than mine in the quietest of times

whose language crashed against the shores of undeserving cities like a call to arms

before the flood, I dreamt


I dreamt of my favourite walking shoes left to the whimsy of strangers, a small token

of burdens left behind and punishments to come on the occasion of a crippled spring,

too slow for the world


I dreamt of Marconi and Reginald Fessenden, their voices echoing across the Atlantic

softening into the laughter of young girls; 1906 while the inerrancy of Tommy Burns’

KO sent shivers down the necks of Hanover boys


I dreamt I was lying in a field with Frank O’Hara, each blade of grass a ghost

of someone we had let go, while in the distance a telephone rang and rang

and the sun closed in around us like a cathedral.



 

Lillian Nećakov is the author of six books of poetry, numerous chapbooks, broadsides and leaflets. Her latest book il virus was published in April 2021 by Anvil Press (A Feed Dog Book). In 2016, her chapbook The Lake Contains an Emergency Room was shortlisted for bpNichol chapbook award.


During the 1980s, Lillian ran a micro press called “The Surrealist Poets Gardening Association” and sold her books on Toronto’s Yonge Street. She ran the Boneshaker Reading series from 2010-2020. Her new book, duck eats yeast, quacks, explodes; man loses eye, a collaborative poem with Gary Barwin is forthcoming in 2023 from Guernica Editions. She lives in Toronto and just might be working on a new book.




By Julian Matthews -

She read a poem I wrote on laundry

And said she liked it

She said I'm prolific

Perhaps if she met me in person, she would know

I smell

and reek of dirty doggerel

and mucky metaphors


I am missing meter and cadence like socks missing their pair—

found under the washing machine a month later

with some bits of underwear


I stink of rhymes prostituted and drenched in cheap perfume

To please daddies, sugary or otherwise


I am a walking pile of a week's unwashed verbiage

Waiting for a line break

To be hung out to dry


And here's me making my last stanza

To separate the wordy whites from the coloured clichés and soppy delicates

So soak it in

Before I dye...



 

Julian Matthews is a former journalist expressing himself in the pandemic through poetry, short stories and essays. He is published in The American Journal of Poetry, Lothlorien Poetry Journal, Beltway Poetry Quarterly, among others. He is based in Malaysia.


Updated: Apr 9, 2022

by Peggy McCarthy -



near buckets - aluminium and red plastic,

brimming with well-water and hot cows’ milk,


near drooping fuchsia and bristling heather

grazing my legs when I scouted the hills,


near old photos in the parlour press, faded faces,

their clear American smiles spanning the ocean between us.


And later by factory gates when the hooter blew,

and chimneys spewed the smoky breath of a winter day,


between vinyl threads, the chords sparking,

singing through me their every turning note.


I was born when I mouthed an answer

before the question was formed.





I was born was first published in Southword 41 in 2021.

 

Peggy McCarthy is an Irish poet who completed her M.A. in Creative Writing at UCC in 2021. She won the Fish Poetry Prize 2020, was shortlisted for The Wells Poetry Prize 2020, and won third place in the Oliver Goldsmith Poetry Prize 2021. She has had work published in Hold Open the Door, A Commemorative Anthology from The Ireland Chair of Poetry 2020 and Southword 41. She was born near Skibbereen in West Cork and lives in Waterford city.

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